Love these guys. Chi post-punks with a serious pedigree. Read via the A.V. Club.
Posted in A.V. Club, album reviews
Tagged 90 Day Men, Brian Case, Chicago, Disappears, Fugazi, Krautrock, post-punk, Sonic Youth, Steve Shelley, the Ponys
Highs and lows. Dense but breezy. Hand percussion meets big synths. Read about Tanlines’ official LP debut over at The A.V. Club. No longer lost…
In which the A.V. Clubhouse was asked which music we’d use to punish an enemy (a la the army and Metallica). Read em all here. My entry below:
Reading Kenny’s response makes me wonder at the long-term psychological effects on those fortunate (?) enough to have attended the Watch The Throne tour. Twenty years from now, our society will feature a sizable segment who flinches at the mere mention of words like CRAY-on and CRAY-fish (or Kreayshawn, but that might be for different reasons). I’ve used hardcore music, from Brotha Lynch Hung to Refused, to spite parents, roommates, and neighbors when occasion called for it, but as I get a little older, a little smarter, and a lot meaner, I think less about blunt-force trauma and more about the kind of psychic brutality that could drive people to question their very existence. Like “Revolution 9” by The Beatles, played not loud, but at a just audible level through a small speaker spackled into the wall between my apartment and the one next door, on some sort of standalone device hotwired to the building’s grid so it never runs out of power. Or a quietly nagging Skrillex loop somehow rigged to trigger every time the platinum-Jeep-driving douchebag down the street uses a kitchen appliance. “Honey, is the blender broken?” “No, it’s fine.” “Then why does it sound like an engine that won’t turn over?” I mean, really, people. We’re adults now. It’s time we start thinking like the terrorists.
No, that’s not a typo. It’s the curious title of Miike Snow’s second LP. Seems to be missing something, no? Well, so does the album. Read at The A.V. Club.
An A.V. Club reader recently asked us for our favorite songs by terrible bands. Read everyone’s responses here (it’s pretty hilarious). Mine is pasted below:
For me, it’s gotta be “Pop” by ’N Sync. Born in ’82, I was weaned on New Kids On The Block, came of age to Boyz II Men, and was just old enough to despise Lou Pearlman’s bumper crop of follow-up boy bands. It was the worst of times for mainstream music, and be they bleach-tipped or corn-rowed, those little bastards were responsible for making the radio suck. And then, in the midst of meatheaded paeans to playerdom and sappy song-sized romance novels, there came this strangely self-aware single—one boy band’s plea for respect—and weirdly, it worked. At least, it worked on me. Justin Timberlake was always a standout in the group, and it’s hard to shake the feeling that he was responsible for the track’s lyrical sass—“Why you wanna try to classify the type of thing we do?”—as well as the concept of dubbing the group’s newly aggressive sound “dirty pop,” which felt a little bit like a knife slashing at his own group’s oeuvre, not to mention those of ’N Sync’s competitors. The beatbox solo was the icing on the cake, and a preview of the unexpected credibility that awaited JT in his solo career. Don’t you ever wonder why his music gets you high? This is the fizzy foundation of the Justin Timberlake we know and, yes, love today.
Just saying. Something is a pretty great record. You should read more about it at The A.V. Club. (If you like “something angsty, dance-y, smart, and silly.”)