We went to Sundance for SPIN again this year and seriously stepped up our game. While, yes, that included bringing footwear that was actually waterproof (har har), it also means that instead of merely reviewing a snowplow’s worth of films, we also conducted a couple of interviews. There was the chat with Dawn director Rose McGowan in which she admitted to having a habit of hiring brass bands while stoned. And then there was the sit-down with Aaron Paul — we have more photographic proof — who talked about touring with Radiohead. Oh, and each shared a go-to karaoke jam or two. Join us for “Listening In.”
One of our favorite young music-making weirdos of the past five years is Chaz Bundick — a dude better known as Les Sins and best known as Toro y Moi. Befitting his chosen aliases, he’s a musical polyglot, weaving psych-rock and summery pop into rap beats and dance pulse. Unsurprisingly, Bundick is a sharp guy with a sweet disposition, as we learned first hand upon sitting down with him at a coffee shop across from the SPIN offices in Hollywood. Read here:
Done? Have some B-sides:
We here at Aural Standards are particularly partial to songs about our city, and “Los Angeles” by friend-of-the-blog Liza Oppenheimer is a new fave. We’ve also got a certain affinity for all (er, most) things Dustin Hoffman, so upon learning that the Dee Robertson-directed video for this folksy jangler would pay a little tribute to Midnight Cowboy, well, we were elated. Check out the clip below, and then learn a little more from Liza after the jump.
Yes yes yes yes. A video that includes 3-D avatars having acrobatic sex. A song that includes the words “gotta get my brains outside of my face.” An interview that hinges upon terms like “vintage internet,” “sea punk” and “ayahuasca,” plus includes the following choice quote: “If you think you’ve seen the dark side of the internet, you haven’t seen shit until you’re on the porn message board circuit trying to figure out how to make 3-D figures fuck.” Loyal readers know Aural Standards has been backing Wallpaper since the VERY BEGINNING, so we’re pumped to have this up on the SPIN homepage right now. #tehinternetz
This is NOT the video in question, but also involves creative use of upchuck:
Posted in interviews, SPIN
Tagged 3-D, avatar sex, ayahuasca, barf, Epic Records, GIFs, hurl, lyrics, music videos, Oakland, puke, sea punk, skateboards, skeletons, tehinternetz, upchuck, vomit, wallpaper.
We did a little moonlighting for Rosebud. Jumped at the opportunity, in fact, to talk to a man who’s not only licked the Amazonian sapo frog, but ingested legit zombie dust (via The Serpent and the Rainbow) supplied by a Haitian shaman. Check out the chat with Hamilton Morris, host of Vice’s Pharmacopeia, here.
As Aural loyalists will remember, we recently sat down for a long talk with the eternally lovely Shirley Manson on the occasion of Garbage’s self-funded return to music. She dropped so many nuggets that we had to break the thing up into three parts. Revisit the official SPIN Interview, then dive into Shirley’s Words of Wisdom, and check out her dissection of the entire Garbage catalog here.
It was a true honor to interview Shirley Manson for SPIN. The Q&A originally appeared as the cover story of the April iPad issue, and exclusive content from our two-hour face-off wound up in the print mag too (Words of Wisdom, LOUD issue). Here’s an excerpt from the chat, which covered everything from the overdue Garbage reunion to Shirley’s status as a recovering cutter:
“It’s unbelievable what’s happened to Lana Del Rey! It’s shocking misogyny. I look at her and say, “What more do you want?” Here’s a beautiful young girl who tried her hand at being a working musician under her own name and it didn’t stick. She had the fortitude to go back to the drawing board and create something new, a perfectly executed re-entry into the world of music, and she’s getting destroyed for the very same thing that Jack White is so brilliant at. Granted, they’re very different artists, but why are we attacking a young girl who’s ballsy and creative? All I can say is they did the same thing to me when I came out. I was constantly being called a phony, and I’m thinking, ‘I was in a band that failed miserably for ten years. What’s fake about that?'”